Brighter than SDR white
Sunlight, windows, skies, and reflections can render brighter than SDR white on an HDR-capable display.
For X100 & GR photographers · macOS
SDR can only show so much. ToneLatch combines your finished JPEG with its matching RAW to add brighter highlights on HDR displays while keeping your JPEG look intact. A few clicks. No re-editing.
Real display HDR. Not the tone-mapped “HDR look.”
Live Ultra HDRWhy ToneLatch
For years, photographers graded for print or SDR screens. HDR displays are a new destination, with room for highlights above SDR white. Sharing only SDR leaves that extra range unused. ToneLatch creates an Ultra HDR version while preserving the JPEG's established look—and the same file still contains a standard SDR JPEG fallback for screens and apps that don't support HDR.
Sunlight, windows, skies, and reflections can render brighter than SDR white on an HDR-capable display.
Your film simulation, recipe, or grade remains the visible base. The matching RAW supplies highlight information, not a new look.
No curves, masks, or Lightroom round-trip. Choose the pair, set the strength, and export.
How it works
ToneLatch keeps it simple: choose your pairs, set the HDR strength, and export.
Choose a folder of matching RAW+JPEG pairs from your Fujifilm X100 or Ricoh GR.
ToneLatch finds the pairs. Choose the photos you want, then set the HDR strength—or keep the default.
Export Ultra HDR or Native HDR. Your source files are never overwritten.

Designed first for Fujifilm X100 series and Ricoh GR series files. Other camera systems may work, but aren't officially supported—try Basic before buying Plus.
The proof
Look at the brightest windows, reflections, and sunlit surfaces—not saturation or contrast.Every Ultra HDR export also contains a standard SDR JPEG for viewers that don't support HDR.
To see HDR here: use a current Safari or Chrome browser on an HDR-capable display. If the pairs look nearly identical, you're seeing the SDR fallback.


Swipe to compare SDR and Ultra HDR
Direct sun and window reflections gain HDR headroom while the Provia JPEG remains the visible base.


Swipe to compare SDR and Ultra HDR
Bright window panes gain separation against the shop interior while the Acros JPEG remains the picture.


Swipe to compare SDR and Ultra HDR
Ceiling highlights and chapel openings lift while the warm Positive Film JPEG stays the visible base.


Swipe to compare SDR and Ultra HDR
Sunlit concrete and bright leaves gain extra headroom while the Monotone JPEG keeps its crisp contrast.
In a working HDR setup, the TEST text and the brightest gradients should rise beyond the neutral gray base. If the pattern looks flat, you are seeing its standard SDR JPEG.

Compatibility
Free & Plus
Start free with Basic. Choose Plus when you need its editor, geometry matching, and export presets.
Core HDR workflow
Free
RAW+JPEG in. Real HDR JPEG out. Everything you need to start is included.
Separate Mac app
US$9.99 launch price
The same HDR workflow, plus editing and smarter matching for JPEGs you've already cropped or straightened.
FAQ
ToneLatch requires macOS 14 or later on a Mac with Apple silicon, plus matching RAW and JPEG files. It is designed first for Fujifilm X100 series and Ricoh GR series workflows. Plus can also import supported HEIF, HEIC, and HIF pairs. Other camera systems are best-effort.
No. ToneLatch processes photo content locally, requires no account, and does not upload your images for HDR processing. It writes new exports and does not overwrite your source files.
Basic is free and includes Ultra HDR and Native HDR export for batches of already-aligned RAW+JPEG pairs. Plus is a separate paid Mac app that adds an editor, HEIF import, web and social export presets, and geometry-aware matching for JPEGs you already cropped, rotated, or straightened.
Ultra HDR is a gain-map JPEG: compatible viewers reveal the extra highlight light, while other viewers display its conventional SDR JPEG base. Native HDR is a true HDR file for displays and viewers that read HDR directly. ToneLatch can export either format.
HDR needs both an HDR-capable display and a viewer that understands the file. Current Safari and Chrome releases can render HDR images on compatible displays, Google Photos is a reliable option on recent Android devices, and macOS Preview can show ToneLatch output on XDR displays. Support still varies by device and software.
Look for scenes with bright highlights: skies, sunlit windows, reflections, water, snow, stage lights, neon, and hard shadow transitions. Flat, low-contrast scenes will look more subtle because there is less highlight headroom to reveal.
Start with the default strength, then adjust for the scene. Some photos want a gentle lift; others can carry more highlight punch. Judge the final export in an HDR-capable viewer because an SDR screen only shows the standard JPEG base.
ToneLatch uses your JPEG as the visible base and adds HDR highlight information from the matching RAW. It is designed to preserve the film simulation, recipe, image control, or grade you chose rather than replace it with a new RAW rendering.
No. ToneLatch is a focused tool for photographers who already like their JPEG rendering and want HDR highlight light without taking on a full HDR editing workflow.
Sometimes, but they are not the primary support target. Lens correction can be applied differently to a JPEG and its RAW, which may cause edge alignment differences. If you are outside the X100 or GR families, try the free Basic app first.
In our testing, macOS Preview on an XDR display renders HDR highlights for ToneLatch output. Apple Photos and other viewers can still vary by OS, device, display, and file type. If a viewer does not render the HDR layer, an Ultra HDR file displays its normal SDR JPEG base.
Your JPEG already has the look
Start free with ToneLatch Basic. Your first HDR export is only a few clicks away—and your photos stay on your Mac.