

Swipe to compare SDR and Ultra HDR
Sculpture beneath an atrium light
Overhead light and reflective surfaces gain separation while the monochrome JPEG keeps its deep blacks.
Full sample gallery · 10 pairs
Every comparison keeps the original SDR JPEG on the left and the ToneLatch Ultra HDR export on the right. Judge the windows, reflections, skies, and direct light—not saturation or contrast.
To see HDR here: use a current Safari or Chrome browser on an HDR-capable display. If the pairs look nearly identical, you're seeing the SDR fallback.


Swipe to compare SDR and Ultra HDR
Overhead light and reflective surfaces gain separation while the monochrome JPEG keeps its deep blacks.


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The corrected verticals stay aligned as HDR restores the intensity of the sunlit wall and warm wood.


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Paint, chrome, and overhead lamps gain brighter highlights without changing the GR III JPEG's rich color.


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The glass roof and reflective highlights brighten while the monochrome JPEG keeps its dramatic contrast.


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A best-effort X-T5 pair: glazed berries and white ceramics gain brighter highlights, though interchangeable-lens alignment can vary.


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Thousands of small lights and vivid leaves gain real intensity against the night without lifting the shadows.


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Sunlit leaf edges and translucent reds brighten while the soft background and deep shadows hold their shape.


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Embedded crystals glow against the dark display case while the surrounding black stays black.


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The altar windows gain headroom against the brick interior while its warm light and symmetry remain unchanged.


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Sunlit smoke and the smith's white shirt brighten without lifting the workshop's deep monochrome shadows.